Statistics are funny things. We can all manipulate them, shaped to whatever narrative we prefer. Here are some funny stats about Rotten Tomatoes scores, based on last year’s (2022) domestic studio theatrical releases (inc, Studio Dependents, Lionsgate, Neon, and A24).
Take it a few steps further. What % of writers on RT are serious critics and what does it take to get in the list? How many have an impact on the movie going public?
And what would a similar analysis of MetaCritic look like and how does their makeup compare?
There used to be a really great review aggregator, one of the first, but I can’t remember the name. They couldn’t get financing to survive.
Take it a few steps further. What % of writers on RT are serious critics and what does it take to get in the list? How many have an impact on the movie going public?
And what would a similar analysis of MetaCritic look like and how does their makeup compare?
There used to be a really great review aggregator, one of the first, but I can’t remember the name. They couldn’t get financing to survive.