The opening of Mulan, after a magic drone ride through the lush, green Chinese countryside with some wise male voice over about the story we are about to embark on, reminded me of Beauty & The Beast. The camera swoops into a Hakka walled village, establishing the town of personalities and, indeed, Mulan, who is chasing a chicken.
It isn't long before dad is telling little Mulan to hide her light under a bushel in order to be a traditional girl in a traditional world. This fills the void of an opening musical number like "Belle," in which everyone opines on the beautiful, quirky girl with her face always in a book. (I bet she could handle a chicken pretty well too.)
Then, as fast a running bird, the movie turns into an Ang Lee/Zhang Yimou high-end chop-socky movie with some great Chinese action stars and the man who was once Bruce Lee.
The rest of the way through Mulan, the film hops back and forth between the two ideas. Fish out of water meets a legitimate Chinese war movie with the requ…
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